This piece is called Need. It was submitted as my final project for Creative Nonfiction class in my third year at University.
A
kiss. Their lips lock together. Warm and tender. She pulls them apart, feels stuck
lip tug, and it falls away.
“So that’s the kicker.”
He raises a brow, and catches himself as
he pulls away from her, his brown coat contrasted against the blue of her jacket.
He stands aside her, and cannot for the life of him remember when she became so
beautiful. “Huh?” - His arms around her waist. He squeezes.
“The kiss. That’s how we pull each other
in.”
“What do you mean?”
“People wait for the kiss at the end of a
date. They absolutely wait for it.”
A chuckle. He rubs her back with his
sleeved arms – a caress. “You’re weird, Leah.”
Leah smiles. “But they do.” She wipes
water from her forehead with her free arm – the other is down in his coat
pocket, keeping warm. “It’s our way of saying, ‘You did good’.”
They part for a moment, connected by her
hand in his pocket, and look out from under their gazebo. The city lights
sparkle all around from beyond the boundaries of the park. Besieged by water in
an electric mist. Somewhere nearby, a train clatters along.
He turns to her, and half-grins a crease
into his cheek. He cannot fathom her, but he does not care to in the first
place. He does not wish to understand her, because she fascinates. And that,
for Bryan, is enough. So long as she is there.
“You did good, kid.”
Leah closes her eyes, exhales misty
breath. She does not look at him after he has spoken, but steps forward into
the rain.
“You want a lift?”
A beat, then she replies.
“No thanks. I’ll take the train. See you
next time.”
She starts to walk away. Stops. A slight
turn.
“And Bryan?”
“Yeah?”
Not a smile with her lips, but her eyes. “You
did pretty good yourself.”
Under
his tree, the rain does not concern Billy, nor is he bothered by Leah’s
presence, inadvertently walking right by his bushy homestead. A wall of gentle
spittle falls against him, and all he can do is fiddle with the laces on his
shoes. Were they not frazzled and askew, he may have had an easier time with
them. Alas, aside the frays and holes in his shoes, he is a soggy mess.
Billy
is only halfway homeless. At least, that is what he considers himself. He does
not see himself as a bum, but a drifter. And so he drifts. From house to house,
couch to couch, friend to welcoming friend. But occasionally, said friends grow
tired of his constant presence at their doorsteps. They grow weary of his
neediness, his hair dreaded not by hand, but by filth, and the dirt he tracks
through their homes. So they abandon him. At least, that is how they make him
feel.
Alas,
there he finds himself, biding time beneath the planted trees and the
shrubberies, in the park at the centre of the city. In the rain.
Billy
gets up from the ground, brushes the dirt from his pants, giving up on his
laces, and sets off into the night. The soil squelches beneath his shoes –
shoes that have seen so many wet eves in the city – and when he reaches the
street, he makes an effort to scrape them clean on the concrete.
Hungry.
He is hungry. The city lights awaken his senses. He pulls his wallet out of his
pocket, one of the only things he has yet to lose, and rifles through. Nothing.
Not a cent.
He
sighs. Pulls the hat from his head. Raises nose to the sky, and laps at the
drizzle as it falls onto his face.
Near
to him, crowds of children wander past, giggling and squabbling amongst
themselves, as their elders gather them up in a formation, beckoning them here
and there along the sidewalk. He glances down at one of them as they pass him
by. The child looks up at him, and stops. He is all freckled nose and wide
brown eyes, the look on his face one of innocent concern.
“Are
you having a shower?” The boy asks.
Billy
tilts his head to look at the child. He thinks about saying something scary –
something cruel. But before he can utter a word, an adult sweeps in to pull the
child away, putting him back into formation. Billy waves goodbye. The boy waves
back as he is rustled away, then disappears down the sidewalk.
Billy
is alone again.
It
is a bad night.
“What
did I tell you about talking to strangers, Damien? What did I tell you?”
The
plump woman points her finger at Damien’s face, in that way that adults often
do. Tsk tsk, the finger scolds. Do better!
Damien
looks up at his mother. The expression on her face reads concern, frustration.
And she is not coming down to his level. She is supposed to come down to his
level.
“He
was very dirty, that one,” Damien replies, “Is he going to be okay?”
His
mother sighs. She grabs his hand, and squeezes tight as they walk together,
filed behind the other children. “He’ll be fine, Damien.”
In
front, the children have stopped. They are standing at a crossing. Another
woman calls back.
“Marissa!”
She beckons. Marissa pipes up, releases Damien’s hand and moves forward in
front of the crowd of youths.
“Alright,
kids! We’re going to cross the street. Now, I want you to hold each other’s
hands.”
“Her
hand is all wet!” One of the kids cries out. Yuck! They feign disgust.
Each
of the children link arms, all the way down the line. Two by two, they link.
The other adults – two more, and Marissa – link hands too, to show them how it
is done. It is cold, so some of the kids put their arms around each other.
Damien
watches the other kids link hands and arms, sees their fingers and limbs
intertwine in a coupling. He turns to his left, and reaches out his hand to
grasp another’s.
But there is nobody there.
His face drops. He hears their giggling.
Marissa looks over the children, two by
two as they walk past her, across the street. Then she sees him – Damien,
alone, standing at the start of the crossing. The others have already marched
forward. She rushes back to him, and seizes his hand in hers.
Damien’s eyes flicker up to hers. His
eyes are sad and confused.
“I didn’t have anyone.”
“You have me.” Marissa smiles, and when
she smiles the warmth of her body courses through her, into his. She squeezes
his tiny hand tight. “You have me.”
They walk forward across the street.
Yammering
in her ears. The sound of a pompous fool gibbering on and on.
“But you know, she’s not a biological woman. What the hell was he supposed to
say!? Oh, don’t worry, sir, I’m not freaked out. Now go ahead and stick
me!”
What a fucking joke. Leah wonders how
she can listen to this shit all day. There’s nothing worse, she decides.
Nothing worse than having to review a talkback radio podcast.
That
was her job. To review. She was a journalist of all kinds. Wrote about plays,
she covered films, she reviewed albums – and sometimes, although very rarely,
she would be asked to listen to some shitty half-an-hour segment of a
transphobic moron trying to be funny on the radio. She couldn’t believe people
aired that crap – or that some considered it comedy.
Leah
hears a sound in the background – a chime. The train approaches.
“Dickhead.”
Leah pulls the headphones out of her ears. She decides then and there that she
would destroy this asshole. That was one good thing about her job – it was
sometimes satisfying. As soon as she got home, she would brand him a
transphobic asshat with no clue, who should stick to doing blow at clubs over
nighttime broadcasts. He wouldn’t be sucking half as hard up his nose as he
does in his shows.
That was good, her internal monologue
went off. You should write that down.
Before
she had the chance to pull out her notepad, she was surprised, as down from the
undercover platform came a stream of youths. They bustle past her in two lines,
all holding hands and clamoring amongst themselves, inadvertently surrounding
Leah, accompanied by frazzled adults – possibly parents, definitely guardians. Leah
fears that if she moves, she might accidentally squash one of them.
“Kids,
kids, calm down!” One of their adults cries out. The woman is met with a
heckling. Kids of that age – five, six, seven, eight – cannot be controlled.
Leah chuckles to herself.
The
train pulls into the platform with a screech. Doors fly open. The children all
rush onto the awaiting carriage, running for the four-seaters, fighting each
other for the window seats. Leah moves onto the train and sits down in a solo
two-seat by the window, a comfortable distance away from the gaggle of youths.
She
sighs. It seems to be a night of those.
Pulling
out her notepad, she sets to work writing down all of the quips and one-liners
she had come up with during her excruciating listen to the podcast on her music
player. The words don’t roll off her tongue quite as well later as they do in
the moment, but that’s okay. She can play with her words. Make something
happen.
Playing
with her words seemed to be something she did a lot. You did pretty good yourself. God,
she cringes and it blazes across her face. What
a half-hearted cliché.
Was
it half-hearted? She could not decide. Date three, and he was looking a little
tired. Still cute, yes, but all of his jokes had lost their novelty. That’s
what he had brought to the table – wit and banter. And sex appeal, but Leah
knew better than to go on three dates based on pure aesthetics. That’s the kicker. Looks or charm?
But
more importantly – can he deal with her?
Leah
is so lost in her own head that she doesn’t realize she is being spoken to. She
tilts her head up in a mild fright – but it is one of the adults, herding the
kids.
“Hi,
I’m sorry, but,” She stammers slightly, “You’re Leah Gemini, right? From The
Platform?” A smile on her face like if her husband bought her diamonds.
Leah
smiles. Fright falters to calm. “Yeah, that’s me.”
The
woman perks up. “Oh! I’m such a huge fan. You’re hilarious, you really are. Do
you, umm…” She turns and beckons the other adults over – who were half-controlling
the kids, half-staring at Leah with that same shy awe. “Do you mind if we get a
photo?”
“Sure.”
Leah
stands up, and all of the women bustle over. They gather around her. One
doesn’t quite make it in time for the row of middle-aged ladies, and is made to
take the photo. A semi-sad expression, she clicks. A flash goes off in their
faces.
“Do
you want one too?” Leah asks the woman – who smiles.
“Oh,
I’m fine.” She replies, “You’re wonderful, though.”
Leah
returns her smile. “Thank you.”
She
turns back around to resume her seat – and is surprised to see a small boy
perched there instead. The boy looks up, mimicking Leah’s confused expression.
He
twitches his nose. “You’re the lady from the TV.”
All
brown eyes and freckles. Leah was just the same.
“I
am,” She replies.
“Damien…”
The woman from earlier – the one who didn’t get a photo – murmurs to him. A
forceful gal, by the looks of her, but on her best behavior with Leah Gemini
around.
As
Leah responds, she sees the doors open from beside them. The smell hit first,
then the rest shoulders through the open door. The man had a bag over his
shoulder, and judging from his clothes, nowhere to put it. He slumps himself quietly
into a nearby chair. Leah becomes wary. Is
this going to be one of those nights?
“It’s
okay,” Leah looks over at the woman. Their eyes meet, and there is a mutual
understanding. A discomfort. “He can sit with me.” She joins Damien in the two-seater.
Some
of the children in their four-seaters had been giggling in Leah’s general
direction. They point and whisper.
“They
don’t like me very much,” Damien whispers to Leah. “They think I’m weird.”
“Is
that so?” Leah replies. Rain falls against the glass of the train door as it
shuts, sending a slight chill in their direction with the movement. She leans
down to him, huddling closer. “Do you want to know a secret?”
“Yes?”
Damien’s eyes grow wider then. Pools of burnt sienna.
“The
best people usually are.”
The
train leaves the station.
“…
And there was a dinosaur, up on two feet! I thought they only walked on four,
but maybe that’s only puppies.”
“Lots
of animals walk on two feet. Some of them can even hop.”
“Really?”
“Oh
yes! I’m sure of it.”
Billy
overhears the conversation. He is exhausted.
The
boy had been to an exhibition in the city. There were dinosaurs and other
animals, too. Maybe the Museum, but Billy couldn’t tell. Billy remembers the
Museum as being a fantasyland of history and living art. Of things he had never
seen, but were right in front of his eyes, ready to implant into his
imagination, and take his mind for a journey. Back in an easier time of simpler
things, when Billy did not need the wash of rainfall to cleanse his skin. For
he had had a mother do it for him.
The
train pulls to a halt in the station on the city loop. The woman in the seat
near him, talking to the child, gets up with a start. She waves goodbye to the
post-Museum boy, and takes off out the open train door. The childs’ mother –
judging from the way she shot up with a start to reclaim her youth – ushers the
child away into the four-seater she shared with her fellow adults. All the
while staring Billy down. A fierce lioness protecting her cub.
Protecting
her cub from what? Did Billy look like a homeless person? Well, she was a
little clueless, then, wasn’t she? Billy wasn’t homeless. Billy was halfway homeless. A nomad. A drifter.
Won’t people just get it right?
Real
homeless people are the angry ones you see on the street. The kind without
hopes – not necessarily without jobs, as Billy knew far too many people without
jobs who still had homes – and the kind with serious issues. The kind who shout
things at strangers in the street. Those are the real homeless. Billy was just doing Billy – caught in the middle
between one place and another. Living la
vida loca. Like the song.
He
decides that the next stop is his. Gets up, collects his things. Throws the bag
that he carries over his shoulder. He sees that the woman is still watching him
out of the corner of his eye, ever monitoring despite the raucous clamor of her
nearby friends and their accompanying children. He wonders if he could make her
squeal for a moment - really shit on this woman’s night, the one trying to make
him feel worse than he already does. He is interrupted, as he feels a tap on
his back.
Billy flips around – and sees the same
child from earlier. The one from the two-seater, and the one from the street – Are you having a shower?
“It’s you.” The boy says. “You
okay?”
Billy
looks down at the kid. He doesn’t quite know what to say in reply. But he looks
up at the woman once more. Is that his…
mother? He thinks. Ah, I get it.
She’s looking out for her kids. I’m that guy. I see how it is.
“I’m fine,” Billy replies.
“Did you have a nice day at the Museum?”
“Yes,”
The boy answers excitedly, “There were dinosaurs and lions and cave men!”
“Really?
Did your friends like it too?” Billy gestures towards the other children in
their seats, chattering away excitedly.”
The
boy turns, and then glances back. His expression fades to grey.
“They’re
not my friends. We just go out together.”
“Why
not?”
“I’m
weird.”
Damien
raises his hand – and points a finger at his head. Weird.
Billy makes a noise. More of a chuckle
than a grunt. He raises his own hand – and points at his own head, too. “So am
I.”
“Really?”
The boys’ eyes light up for a split second, as though Billy were one of the
cave men.
“Sure.
Weird as they come.”
Suddenly,
the mother appears and claims her child.
“Sorry
about that!” She laughs, before pulling her child away – though her cold,
calculating face expressed a sincere lack of amusement.
“Bye.”
The boy says, being pulled back to his seat.
“Bye-bye.”
Billy replies, waving gently with his gloved hand.
“I’m Damien.” The boy murmurs, making sure that Billy can read his
lips.
Billy
returns the exaggerated whispering mouth-movements.
“Billy.”
Damien
smiles, and is put in his seat. He doesn’t remove his gaze from Billy. Not even
when Billy is pushing open the door of the train as it reaches his destination.
Not even when Billy takes off into the night.
“Was he good?”
“Yes, he was perfect.”
Leah traverses up the stairs. An elderly
woman trails behind her.
“Margaret, if it’s ever a problem, you
know… you just say the word.”
“It’s no problem at all, Miss Gemini.
He’s a blessing, he truly is.”
The hallway is dark, but a faint glow
stems from a door ajar slightly up ahead. Leah wanders over to it, and pulls
the door slightly open.
Inside, illuminated by the faint glow of
a night-light, one shaped like the jutting pyres of a bustling city, lays a
young boy. Brown head of hair, freckled face. Snoring contentedly. Asleep. His
nose twitches slightly. Leah smiles.
“Ryan is very lucky,” Margaret whispers
from behind Leah, “He’s got a wonderful mother.”
Leah is silent. The loving expression on
her face seems to falter.
“Yes, well, I wish I was around more.”
Margaret sighs; rubs Leah’s arm
affectionately. “I’m sure he understands.”
There is a brief pause. Leah
looks once more into Ryan’s bedroom – at her boy, sleeping contentedly, his
face lit by the gentle glow of the cityscape nightlight. Then closes the door
slowly, until it clicks shut in front of her.
There is a silence. A nearby
clock ticks away. Tick tock, into
oblivion.
“I’m just wondering, Margaret…”
Leah starts, “… How long can I keep this up for?”
A hand falls to rest upon her
shoulder. Leah turns to face her.
“That’s the kicker, isn’t it?”
Margaret says. Her old eyes gaze lovingly into Leah’s. Her aged cheeks dimple
and lines crease as her face contorts into a smile. “He needs you.”
You
are needed.
Trudging along, the man comes to a stop. His shoes are
covered in dirt from the ground he trod upon. The city bustle has dulled ever
so slightly. Billy can hear the sounds of cars passing. Sees lights in the
distance. But he focuses his eyes to what is in front of him. Blocks out the
city sounds.
“Well…”
Billy whispers. “I’m here.”
There’s
a faint murmur on the wind – trees planted years ago as they bristle together,
creating a chorus of noise, like a waterfall crashing into the flow of a river.
The sigh of a breeze blows through Billy’s hair.
“Did
you miss me?”
Billy
stands before a patch of soil. He throws down his rucksack onto the ground.
Rips it open. The faint glow of nearby buildings helps illuminate its contents.
He pulls something out – a wreath of flowers, battered from his days’ toils. He
holds them in his hand, waits a moment – and then throws them forward. They
land in a ring upon the patch.
In
front of the plot of soil, is a stone. A stone with engravings. A name. A date
of birth.
A
date of death.
“I
miss you, Mama.” Billy whispers once more. “I don’t know where you are, but…”
The
kicked up wind comes to a slow halt. His voice starts to break as he whispers
to the quiet. The air is still. Silence.
“I
think I need you real bad right now.”
I need you.
Their
train rustles along.
It
slowly grinds to a halt, into the station. Six or seven bodies get up, and make
their way to the door. The cityscape glitters in the vastness out the train
windows, nestled bright against the blackness of the night.
“Alright,
everyone. Say bye to Marissa and Damien,” One of the women instructs her
children.
A
boy grunts. “Do I have to?”
Snappy
and sharp. “Yes, you do. Go on, then.”
The
child from earlier twists his face into a scowl, but as he turns to face
Damien, still sitting in his seat, the scowl becomes a smile.
“Bye-bye,
Damien,” The boy waves his gloved hands. The other children follow suit, one by
one, bidding Damien a softened adieu.
“Bye,
everyone,” Marissa replies gently, waving her hand – and Damien’s too - and the
group pull open the doors and depart off onto the platform, in their little
formation, away into the night.
The
train lets off a whirr, a clanging and ratchet of sound, and proceeds back on
its rickety journey. The landscape outside of the window gradually begins to
change, from an urbane jungle to suburban Sahara. Damien and Marissa are alone,
then.
“I
like the city a lot.” Damien says suddenly.
“What
do you like about it?”
“The
people everywhere. Lots of different and interesting people.”
“Oh,
really? Me too.”
A
silence passes between them, punctuated only by the clanging and banging of the
train against the tracks. The air is damp with the residue of a day and night
of rainfall, of bodies in and out from the mist to the carriage. Ever fading
away, the city stands still in the distance.
“Mum…”
Damien whispers, so quietly it was almost inaudible. He peers off out the
window in his little window seat, watching raindrops fall against the glass.
Marissa
looks down at him, seated by his side. “What is it, Damien?”
“They
don’t like me very much, do they?”
Marissa
is momentarily shocked. “What makes you say that, Damien?”
Damien
sighs. “They aren’t very nice to me. They think I’m weird.”
“Oh.”
Marissa
begins to panic. This is not a conversation she appreciated. It is something
difficult for her to face – her child. Reality. The black void where she kept
her fear.
“I’m
sure that’s not the case…”
“No.
It is. I know that it is.”
Marissa
sighs. A loud, hearty sigh. As though she were trying to filter the panic she
felt from her heart to her lungs, and then out into the world. As though if she
breathed hard enough, she could cleanse her soul.
“I’m
sorry, Mum. I know I’m a lot to take care of.”
It
was a bullet to the windscreen of her entire existence. Yet, strangely, she
could do nothing but look down at him. And she saw, too, that he had turned
away from the glass window, with its fascinating raindrops cascading down it,
and was looking up at her. She smiles.
“You’re
just fine, Damien.”
In
the sterile cold of the rickety train, and the droplets leaving marks on the
windows, they share a moment. Warmth and a special tenderness. A mother looks
down at her son, and holds him closer, as he turns back his head to gaze
longingly into the night.
“I
know that I need you a lot…”
“I
need you quite a lot, too.”
The
train carries on. The city lights the way back.
He
needs you.